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| Mimi Ritzen Crawford for The WSJ |
Ms. Ricotta tries to make sure her clients don't get the same looks that other clients are buying.
Designer labels respond to her sales power as well. Brant Cryder, president of Yves Saint Laurent North America, says, "You need to jump on whatever Fay may need." He adds that he listens when she says that a fabric is too stiff or a client needs a coat in a different color.
Gucci last season sent over two runway samples for one of her clients. Once, when an investment banker client was set on a Chanel suit but found the skirt too short, Ms. Ricotta dialed up Chanel's New York offices. She requested extra fabric and trim so that she could have Saks's seamstresses add four inches to the length. Chanel obliged.
Ms. Ricotta travels to Paris fashion week twice a year. This fall, she expects to attend 20 shows there and to place orders directly with brands including Stella McCartney, Céline, Dries Van Noten, Nina Ricci and Chloé. She is keenly aware she must sell what she buys. "If I don't sell that $500,000 worth of clothes, I have to face Mr. Frasch," she says. "And he makes me nervous."
"Good," responds Mr. Frasch. "A good merchant is paranoid and insecure." But he adds that he often refers influential new clients to Ms. Ricotta and that she is one of a very few Saks personal shoppers entrusted with a clothing-buying budget. He declines to divulge its size, but notes, "It's a meaningful amount of money. And if she needs more because she needs something for a client, we give it to her."
Ms. Ricotta offers clients more than access to labels. After pulling clothes for clients, she often tries them on herself to assemble a whole look. Clients try on the clothes in front of mirrors in her office with her by their side.
When one client was delivered a $7,000 sequined gown with the security tag still attached just hours before an event, Ms. Ricotta leapt up from the table at her acupuncture appointment, raced to the store to get the right tool, and met the client's limo at the curb to remove the tag.
She works hard to make sure her clients don't get the same looks that other clients are buying. She has been careful since two clients who are editors at Condé Nast wound up at a meeting in the same Giambattista Valli jacket. "It's actually my biggest fear. I'd rather lose the sale and not sell it to anyone," she says.
CNN correspondent Alina Cho, who reports on topics including fashion, displays Ms. Ricotta's work in some of the clothes she wears on and off camera. She says, "I've got her on speed dial."
Close relationships can involve honesty and abuse, and Ms. Ricotta, who hasn't lost the accent of the Bronx, where she was raised, provides both. She once pointed to a shiny dress that one first-time client wore and announced, "You know that tech look has been out for about five years."
"She's brutally honest," says Ms. Cho, citing a time when Ms. Ricotta told her a dress made her look like "a little old lady." She adds, "There is no editor in her brain."
Ms. Ricotta has rules: She doesn't dress clients in Oscar de la Renta. "Everybody's wearing Oscar," she says. Once a proponent of Christian Louboutin, she has moved on to the next new thing: Brian Atwood's sexy heels. On the forefront of labels that aren't yet household names, she currently favors Haider Ackerman, Erdem and Sophie Theallet.
Ms. Novogrod calls Ms. Ricotta the "Delphic oracle of fashion." "If I took you on a tour of my closet, you'd see the full extent of what knowing Fay has done for me," she says, "not to mention how it's affected the inheritance my children will receive."
—Contact Christina.Binkley@wsj.com or twitter.com/BinkleyOnStyle.
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